Interesting. However, none of my writers works for free. And you don’t work for free, either. Can’t help you. Michael McKown Read More...
I write the last line, and then I write the line before that. I find myself writing backwards for a while, until I have a solid sense of how that ending sounds and feels. You have to know what your voice sounds like at the end of the story, because it tells you how to sound when you begin.
To me, movies and music go hand in hand. When I’m writing a script, one of the first things I do is find the music I’m going to play for the opening sequence.
My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.
Anecdotes don’t make good stories. Generally, I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
If my poetry aims to achieve anything, it’s to deliver people from the limited ways in which they see and feel.
If one cannot enjoy reading a book over and over again, there is no use in reading it at all.
It took me fifteen years to discover I had no talent for writing, but I couldn’t give it up because by that time I was too famous.
Ever heard of a carpenter not going to work because he has “carpenter’s block”? If a writer can’t write, it’s because he doesn’t really want to, he isn’t ready to get it on paper or he’s just plain lazy.
Keep a small can of WD-40 on your desk — away from any open flames — to remind yourself that if you don’t write daily, you will get rusty.
A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.
I have a structured songwriting process. I start with the music and try to come up with musical ideas, then the melody, then the hook, and the lyrics come last.

























