Stories outlive us. How will anyone know your story if you don't write it down? That's a good reason to consider hiring a professional ghostwriter.
Stories outlive us. How will anyone know your story if you don't write it down? That's a good reason to consider hiring a professional ghostwriter.
If my poetry aims to achieve anything, it’s to deliver people from the limited ways in which they see and feel.
I do not over-intellectualize the production process. I try to keep it simple: Tell the damned story.
Books aren’t written, they’re rewritten. Including your own. It is one of the hardest things to accept, especially after the seventh rewrite hasn’t quite done it.
A writer without interest or sympathy for the foibles of his fellow man is not conceivable as a writer.
A true author, no matter the medium, is an artist with godlike knowledge of his subject, and the proof of his authorship is that his pages smack of authority.
Substitute “damn” every time you’re inclined to write “very”; your editor will delete it and the writing will be just as it should be.
Reading and weeping opens the door to one’s heart, but writing and weeping opens the window to one’s soul.
When writing a novel, that’s pretty much entirely what life turns into: “House burned down. Car stolen. Cat exploded. Did 1,500 easy words, so all in all it was a pretty good day.”
I get up in the morning, torture a typewriter until it screams, then stop.
My aim is to put down what I see and what I feel in the best and simplest way I can tell it.
It took me fifteen years to discover I had no talent for writing, but I couldn’t give it up because by that time I was too famous.

























