I get up in the morning, torture a typewriter until it screams, then stop.
I do not over-intellectualize the production process. I try to keep it simple: Tell the damned story.
If the sex scene doesn’t make you want to do it — whatever it is they’re doing — it hasn’t been written right.
It begins with a character, usually, and once he stands up on his feet and begins to move, all I can do is trot along behind him with a paper and pencil, trying to keep up long enough to put down what he says and does.
Asking a working writer what he thinks about critics is like asking a lamppost how it feels about dogs.
No one can write decently who is distrustful of the reader’s intelligence or whose attitude is patronizing.
Anecdotes don’t make good stories. Generally, I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.
What I loved most about calling myself a reporter was that it gave me an excuse to show up anyplace.
No writer has ever yet been known to hang himself as long as he had another chapter left.
You may be able to take a break from writing, but you won’t be able to take a break from being a writer.
It took me fifteen years to discover I had no talent for writing, but I couldn’t give it up because by that time I was too famous.
Writing is not necessarily something to be ashamed of, but do it in private and wash your hands afterwards.
The most valuable of all talents is that of never using two words when one will do.
Do you know what a playwright is? A playwright is someone who lets his guts hang out on the stage.
My aim is to put down what I see and what I feel in the best and simplest way I can tell it.
I have a structured songwriting process. I start with the music and try to come up with musical ideas, then the melody, then the hook, and the lyrics come last.

























