It is only natural to pattern yourself after someone. But you can’t just copy someone. If you like someone’s work, the important thing is to be exposed to everything that person has been exposed to.
It begins with a character, usually, and once he stands up on his feet and begins to move, all I can do is trot along behind him with a paper and pencil, trying to keep up long enough to put down what he says and does.
A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.
In Hollywood, the woods are full of people that learned to write but evidently can’t read. If they could read their stuff, they’d stop writing.
A true author, no matter the medium, is an artist with godlike knowledge of his subject, and the proof of his authorship is that his pages smack of authority.
Every writer with half a brain knows to surround himself or herself with editors who are smarter, far more articulate and infinitely better looking.
If the sex scene doesn’t make you want to do it — whatever it is they’re doing — it hasn’t been written right.
Editor: A person employed by a newspaper, whose business it is to separate the wheat from the chaff, and to see that the chaff is printed.
Writing is not necessarily something to be ashamed of, but do it in private and wash your hands afterwards.
Ever heard of a carpenter not going to work because he has “carpenter’s block”? If a writer can’t write, it’s because he doesn’t really want to, he isn’t ready to get it on paper or he’s just plain lazy.
If you have an idea that you genuinely think is good, don’t let some idiot talk you out of it.
My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.
Reading and weeping opens the door to one’s heart, but writing and weeping opens the window to one’s soul.
It took me fifteen years to discover I had no talent for writing, but I couldn’t give it up because by that time I was too famous.

























