
I found this in the August 2nd, 2019, New York Times. Fun reading…if you’re not suffering from reader’s block: Read More...
I found this in the August 2nd, 2019, New York Times. Fun reading...if you're not suffering from reader's block:
Reader's block article
Keep a small can of WD-40 on your desk — away from any open flames — to remind yourself that if you don’t write daily, you will get rusty.
Writing a novel is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way.
If my poetry aims to achieve anything, it’s to deliver people from the limited ways in which they see and feel.
A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.
The fact is, I don’t know where my ideas come from. Nor does any writer. The only real answer is to drink way too much coffee and buy yourself a desk that doesn’t collapse when you beat your head against it.
If you have an idea that you genuinely think is good, don’t let some idiot talk you out of it.
The most valuable of all talents is that of never using two words when one will do.
I have long felt that any reviewer who expresses rage and loathing for a novel is preposterous. He or she is like a person who has just put on full armor and attacked a hot fudge sundae or banana split.
Reading and weeping opens the door to one’s heart, but writing and weeping opens the window to one’s soul.
If the sex scene doesn’t make you want to do it — whatever it is they’re doing — it hasn’t been written right.
Ever heard of a carpenter not going to work because he has “carpenter’s block”? If a writer can’t write, it’s because he doesn’t really want to, he isn’t ready to get it on paper or he’s just plain lazy.
When writing a novel, that’s pretty much entirely what life turns into: “House burned down. Car stolen. Cat exploded. Did 1,500 easy words, so all in all it was a pretty good day.”
I haven’t got 10 rules that guarantee success, though I promise I’d share them if I did. The truth is that I found success by stumbling off alone in a direction most people thought was a dead end, breaking all the 1990s shibboleths about children’s books in the process.
It is only natural to pattern yourself after someone. But you can’t just copy someone. If you like someone’s work, the important thing is to be exposed to everything that person has been exposed to.
The reason 99% of all stories written are not bought by editors is very simple. Editors never buy manuscripts that are left on the closet shelf at home.

























