If my poetry aims to achieve anything, it’s to deliver people from the limited ways in which they see and feel.
No one can write decently who is distrustful of the reader’s intelligence or whose attitude is patronizing.
Ever heard of a carpenter not going to work because he has “carpenter’s block”? If a writer can’t write, it’s because he doesn’t really want to, he isn’t ready to get it on paper or he’s just plain lazy.
If you have an idea that you genuinely think is good, don’t let some idiot talk you out of it.
My aim is to put down what I see and what I feel in the best and simplest way I can tell it.
My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.
Writing a novel is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way.
In Hollywood, the woods are full of people that learned to write but evidently can’t read. If they could read their stuff, they’d stop writing.
Reading and weeping opens the door to one’s heart, but writing and weeping opens the window to one’s soul.
A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.
Critics are people who sit on the mountaintop and look down on the battlefield. When the fighting is finished, they take it upon themselves to come down from the mountain and shoot the survivors.
If one cannot enjoy reading a book over and over again, there is no use in reading it at all.
Every writer with half a brain knows to surround himself or herself with editors who are smarter, far more articulate and infinitely better looking.

























